The Art of Calligraphy: A Showcase of Vietnam’s Rich Heritage and Cultural Legacy.

The exhibition showcases an exquisite collection of calligraphic artworks, a beautiful tribute to the famous poets and writers who have immortalized Hanoi and the Temple of Literature through their words.

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The Ink Still Smells Fresh exhibition, a captivating showcase of modern Vietnamese calligraphy, illuminated the Temple of Literature, Vietnam’s first university, on August 31. This exhibition artfully combined the delicate strokes of calligraphy with the dramatic impact of light installations.

Each letter, line, and ink blot is accentuated by the strategic lighting, creating a dynamic visual experience. The elegant dance of pen and ink on paper is brought to life, inviting viewers to appreciate the beauty of this ancient art form in a contemporary light. The exhibition truly transforms the space into a symphony of light and words.



Curator and calligrapher Xuan Nhu, whose real name is Vu Thanh Tung, addressed the audience at the exhibition opening.

The content of the calligraphy on display draws inspiration from renowned poets and writers such as Nguyen Trai, Le Thanh Tong, Nguyen Binh Khiem, Nguyen Du, and Ho Chi Minh, among others with a connection to Thang Long-Hanoi and the Temple of Literature.

A diverse group of 15 writers from across the nation contributed to this exhibition, united by their shared passion for Vietnamese calligraphy. Despite their varying professions, they come together to celebrate and spread their love for this artistic tradition.

According to curator and calligrapher Xuan Nhu, the exhibition aims to foster a community for modern Quoc Ngu calligraphers, especially the younger generation, to connect and collaborate. It serves as a platform for creative exchange, encouraging new ideas and design orientations while blending modern and traditional styles with contemporary presentation techniques.

Xuan Nhu further explains that the exhibition showcases calligraphic works that honor tradition while embracing modern aesthetics. This fusion aims to raise awareness and guide the public towards a more nuanced understanding of the role and value of Quoc Ngu calligraphy in today’s world.

The exhibition will remain open until September 25, and during this period, the curators and authors will host a discussion on “National Language Calligraphy in the Contemporary Context” on September 14.



The exhibition masterfully blends calligraphy with fine art and installation art.


A calligraphic piece by artist Huynh Thi My Ly, capturing the essence of West Lake.


These works pay homage to the rich history of Hanoi and the Temple of Literature.


Nguyen Huu Phap’s artwork, inspired by the vibrant streets of Hanoi.
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