The Muong ethnic community in Hanoi primarily resides in the districts of Quoc Oai, Thach That, Ba Vi, and My Duc.
They have preserved their rich heritage, encompassing traditions, culture, attire, culinary arts, folk beliefs, and artistic expressions. Among these, the mo ritual, sung epics, proverbs, riddles, and musical instruments stand out, with the gong being the most renowned.
Gongs hold profound significance in Muong life, serving as a medium to express joy and sorrow during communal gatherings and rituals.
Le Thi Nga, a member of the Gong Club in Phu Man commune, Quoc Oai district, reflects, “The gong is an emblem of Muong identity and an essential element in our celebrations, including the Lunar New Year, New Rice Festival, Housewarming Festival, and more. Passed down through generations, this tradition remains vibrant as we impart it to our children and grandchildren.”
A gong set is arranged in ascending order of diameter, producing a range of pitches from high to low. The selection of gongs played varies depending on the occasion.
Nguyen Thi Chanh, leader of the Gong Club in Phu Man commune, explains, “A traditional Muong gong set comprises 12 gongs, categorized into high, medium, and low pitches. The largest gong, No. 12, known as the mother gong, initiates the performance. The harmonious ensemble of all 12 gongs creates a captivating musical experience.”
The Muong communities in Hanoi and beyond share a uniform style of gong playing. Women stand in a line, backs straight, holding a gong in their right hand and striking it with their left, swaying gracefully to the rhythm.
Dinh Thi Thanh, leader of the gong ensemble in Mo Doi hamlet, Ba Vi district, describes the performance, “We commence by striking the largest gong to signal the beginning. Subsequently, we play the remaining gongs, each struck 10 times in a 3-beat pattern.”
Gong clubs from the Muong community in Hanoi regularly participate in anniversaries and festivals of various Vietnamese ethnic groups. While honoring tradition, these performers innovate by composing new pieces, infusing fresh vitality into the art of gong playing.
Nguyen Thi Chanh, leader of the Gong Club in Phu Man commune, elaborates, “The resonant sound of Muong gongs travels far, spreading joy, alleviating fatigue, and inviting people to festivals, harvest celebrations, and New Year festivities. A complete set of gongs can render all Muong melodies, each festival having its unique tune. The artists perform with exquisite harmony, infusing each piece with their passion and soul.”
The Hanoi municipal administration actively supports the Muong community in organizing gong classes within hamlets and communes. Through performances at festivals and national events, they contribute significantly to the preservation and promotion of Vietnam’s cultural tapestry.
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