Amidst a sea of commercial exhibits, one captivating display stands out, drawing in crowds with its unique blend of artistry, nostalgia, and cultural heritage.
This enchanting exhibit offers visitors an immersive experience, delving into the ancient art of Vietnamese water puppetry. Guests can capture memorable photos in a setting steeped in traditional aesthetics and enjoy live performances that bring this centuries-old craft to life. The iconic character Teu (Uncle Teu), a beloved symbol of Vietnamese puppetry, alongside buffaloes, fish, dragons, and phoenixes, dances gracefully on the water’s surface, eliciting laughter from children and smiles from adults. This spectacle reignites a sense of cultural pride among attendees.
People’s Artist Nguyen Tien Dung, the theatre’s director, explains that the pavilion draws inspiration from the thuy dinh, showcasing the depth and diversity of Vietnamese puppetry. From traditional water puppet acts to modern interpretations, the exhibit conveys both timeless and contemporary messages.
According to Dung, each puppet embodies a soul, a testament to the craftsmanship and cultural spirit of Vietnam. “Puppetry transcends mere technical performance,” he notes. “It is a distinctive storytelling medium that communicates through water, sound, and rhythm.”
A standout feature of this year’s exhibit is its innovative fusion of tradition and modernity. Crafted from bamboo, wood, lacquer, rattan, and fabric, the puppets are reimagined in fresh, contemporary styles. Alongside classic folk characters like Teu, the farmer, and the buffalo, visitors encounter puppets inspired by modern icons. These include characters from De Men Phieu Luu Ky (The Adventures of a Cricket) by the renowned writer To Hoai, as well as Snow White, the Seven Dwarfs, and vibrant Halloween figures.
Beyond the performances, the exhibit doubles as an interactive “mini classroom” for folk art. Artists engage children in hands-on activities, teaching them to operate miniature puppets and introducing the intricate crafting process—from selecting and carving wood to painting and controlling the puppets.
Pham Van Hung, a visitor from Long Bien District, shared his profound connection to the exhibit. “The water pavilion and Teu figures evoked cherished childhood memories,” he said, recalling how his parents took him to village festivals to watch water puppetry shows.
Over the past week, the theatre’s exhibit has consistently drawn large crowds, with many praising its design and live performances. The Vietnam National Puppetry Theatre has secured two significant cooperation deals: a VND20 billion (US$760,000) contract with The State Vietnam Co., Ltd., and a VND1 billion agreement with HTD Group JSC.
Dung expressed optimism about these partnerships, stating they will enable the theatre to promote traditional puppetry to broader audiences and tourism destinations. This reflects a growing recognition from businesses of the cultural and artistic value of this national heritage.

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